Tablets with interfaces that morph in three, real dimensions will fundamentally change the way we approach computer interaction.
Category: Industrial Design
The line between the consumers and producers of commercial objects is increasingly becoming blurred in the 21st century. As an economic imperative for consumer participation is quickly emerging, more than ever before businesses are turning to consumers to guide their creative decisions. Crucially this could begin to have a significant impact on the way that cities and their commercial architecture is designed and evaluated, through the promotion of consumers as direct, collective decision makers.
Referring to key economic theorists; the work of contemporary architectural practitioners; while additionally including first hand interaction with one of the world’s most successful prosumption communities, this essay attempts to construct an argument for the value of consumer involvement in the active design of 21st century commercial architecture.
Shifting the concept of value and luxury towards a debate on medical science and body design by starting the production of exquisite powerful objects, loaded with emotion and sensuality, but cut through with social comment, generating a discussion on the new direction of social rituals, the relationship between design and science, and the problems that arise when aesthetics meets ethics.
‘Adaptnetic Structures’ (Adaptive Magnetic Structures) is a prototype that seeks to imagine a future where nanotechnology and materials research has given rise to sophisticated programmable matter, capable of changing its physical properties based on some kind of internal programming. The emerging scientific field of ‘claytronics’ is an example of modern day research in this area.