Graphene kirigami based stretchable electrodes allow highly conformable or flexible electronics and sensors to be incorporated into synthetic skin or flesh.
At Rutgers’ Art and Artificial Intelligence Laboratory, my colleagues and I proposed a novel algorithm that assessed the creativity of any given painting, while taking into account the painting’s context within the scope of art history. The results show that humans are no longer the only judges of creativity. Computers can perform the same task – and may even be more objective.
Structures. Something has been built, grown, stretched. Maybe skin, maybe a web, maybe a protective barrier – it is a plastic protein emitted by an organism in order to increase its survival opportunities, it is a food matrix for its offspring which thrive on glossy resin. You can travel across it and it can easily be mapped, although not by humans.
This article outlines a framework of creativity based on functional neuroanatomy.
What does it sound like when a comet “sings” into a magnetic field?
For an artist, being productive and being happy are often closely intertwined.
I felt that now was a good time for an update on the exo-footware. in the midst tweaking software and hardware for the exo-voice, a few out of town gigs and a glorious detroit summer-all of which will recieve their own posts-Ive been wearing the “exo-feet” daily.
What happens when we treat Turing even more seriously; not just as a mathematician, engineer or scientist, but also as a cryptic creative thinker and writer?
Ryo Fujimoto is Humanelectro, the cyborg beatboxer/musician.
Synthetic bodies, mediated selves. What themes become relevant in a technoprogressive world – as objects proliferate, what do the inundated people talk about? You are alone, at a computer. You talk to people but they are not around.